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The exterior of Le Figuier, an outbuilding attached to a limestone farmhouse dating back to 1820 in Marseille, belies what’s hidden inside. At a compact 45 square metres, the space was reimagined by Bétyle Studio, a new interiors company by Carla Romano and Nicolas Cazenave de la Roche. Abounding in cherry and okoumé timber, frosted and wired glass, stainless steel, wrought iron and ceramic stoneware, the tones and textures are reminiscent of the 1970s and 1980s, yet the innovative design grounds the building firmly in the present. VOGUE.COM.AU/VOGUE-LIVING Vogue Living @vogueliving Vogue Living…

As we step into a new year, I’m reminded that the spaces we create and the objects we choose to live with SHAPE more than our homes. They shape our rhythms, our RITUALS and, ultimately, our sense of equilibrium. The January/February issue of Vogue Living is dedicated to that quiet pursuit: design that restores, steadies and reawakens. We begin outdoors, fitting for a season defined by LIGHT, leisure and long evenings. Our feature shoot with the latest B&B Italia outdoor collection (page 30) captures the poetry of open-air living: pieces that balance SCULPTURAL presence with effortless ease. It’s a reminder that the spaces outside our walls are just as vital to our wellbeing as those within them. Inside, our Style Editor Joseph Gardner turns his singular eye to Craft Victoria…

Ask OpenAI to elucidate on the title Done/Undone and it snaps back references to an art exhibition in Melbourne, a shade of lip liner by Pat McGrath Labs, and a 2021 feature film examining whether Shakespeare’s plays stand the test of time. Which is it, the question puts to Vogue Living’s style editor and all-round design oracle Joseph Gardner, who has flagged the oxymoron as thematic driver of both his latest collaboration and our conversation. “It came from the idea of craft, the act of making and the processes involved, which are often just as interesting as the results, right?” he says of anchoring concept in his curation of noteworthy new Australian talent for Craft Victoria’s 2025 Visionaries series. Maybe that interrogation intersects with the question of Shakespearian relevancy, he…

Timelessness’ is the guiding principle when it comes to the dynamic design of the new Range Rover Sport SV Carbon. So, too, does material innovation, alongside using the very best in fine interior finishes, to create the ultimate “blend of dynamic capability and sophisticated modern luxury,” explains Sean Henstridge, Range Rover’s Senior Manager — Detail & Design, based at the prestigious car manufacturer’s design HQ nestled near Royal Leamington Spa in the UK’s verdant West Midlands countryside. As the latest addition to Range Rover’s performance flagship and an evolution on the previous SV and SV Black models, carbon fibre — whether characterised by the introduction of a distinctive diagonal twill weave pattern or left smooth and fluid as forged carbon — was always going to be key, right from the…

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When Ruth and Tom Chapman bought the house in the Provence region of France, on these pages, it carried both the gifts — and the weight — of previous owners. The gifts are obvious: the village of Lourmarin is one of the loveliest, quietest spots in Provence, and the building and its gardens are among the most widely admired visions of country life in that part of the world. The weight (if that is the right word) was that Les Ramades, as this property is known, had belonged for more than 30 years to one of the most stylish couples in the world, François and Betty Catroux. It had been photographed and rephotographed, published and celebrated, each time its rooms taking on a sense of inevitability that comes with legend.…

You have no sense of what’s coming,” says Madeleine Blanchfield of Madeleine Blanchfield Architects by way of introducing this Bronte home set on an unusual triangular block in Sydney’s east. “It’s a real journey; a curated experience.” The home is a new build named Veil for the elegant way in which its vast scale is concealed by modest, narrow street frontage, and the journey Blanchfield speaks of begins in the entry, where a double-height, skylit chamber is anchored by the sculptural, curved backbone of a stairwell. “It’s kind of a gallery space,” Blanchfield suggests, and indeed, like the central rotunda of the Guggenheim Museum in New York, the entrance is a grand, highly anticipatory welcome to a space that then reveals itself incrementally. If the sinuous stairwell is the home’s…

Named after the Tom Petty ballad, the estate’s name, ‘Angel Dream’, says a lot about this home. “Patrick played that song to me,” says Chilean-born, Australia-raised actress, model and entrepreneur Pia Whitesell of her talent agent husband. “It’s simple, yet it articulates everything perfectly. We thought, ‘Why not call our dream home Angel Dream’?” Situated in Los Angeles’ plush Holmby Hills neighbourhood, the Angel Dream journey starts at its driveway. “This is one of the best driveways I have seen in LA,” says Clint Nicholas of Clint Nicholas Design, interior designer on the project. “It has antique pavers filling the entire driveway and motor court. There are more than a dozen old growth olive trees that line both sides. It is truly an experience driving down it, especially at Christmas…

Melbourne or Sydney? Ask any gathering of said cities’ designers who does it better and brace for the biffo. Yes, Sydney got the gorgeous looks and leans into spectacular harbour setting, but Melbourne got the brains and builds far braver outcomes. Or so the slanging match has long gone, until recently when a telling trans-border shuffle of Melbourne talent onto Sydney sites, and vice versa, has sucked the regionalism out of the ruckus. Seems that commissioning clients are increasingly seeking the outsider’s perspective or wanting to wrap in the familiarity of their hometown when moving to another, suggests Sarah-Jane Pyke, co-director of the Sydney headquartered Arent&Pyke, who set up a “sister” office in Melbourne’s Collingwood in 2025 after answering to interest emanating from the city. “We opened in Melbourne because…