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From the publisher
In the last year or so, dance and choreography have infiltrated museums and galleries, with stunning performances that expand the historical preference for static artworks. The image on our cover attests to this—it’s a recent performance by Shelley Lasica, who moves ahead of a procession of collaborators.
Lasica is a foremost Australian artist in this field, and features in our long-form article by Erin Brannigan that looks at the history of dance and contemporary art in this country, while understanding the triumphs and challenges of today, and what it means to bring performing bodies into the white cube.
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